Classical | Texas Public Radio

Classical

Texas Public Radio Classical Music blog and other stories.

Augustin Hadelich's latest album of violin concertos offers two unlikely bedfellows. The tuneful, romantic classic by Johannes Brahms bumps up against the modernist mayhem of György Ligeti. The album, titled simply Brahms, Ligeti: Violin Concertos, also proves to be a compelling introduction to one of today's best, but still undervalued, violinists.

June 28 marks the 50th anniversary of an event that proved to be a catalyst for a simmering gay-rights movement. On that day in 1969, police raided the Stonewall Inn in Greenwich Village. Now a new opera, Stonewall, at the New York City Opera, dramatizes that historic moment.

Anlo Sepulveda

Pianist and composer Justin Sherburn has enjoyed a long career as a touring musician with Austin bands like 8 ½ Souvenirs and Okkervil River, but now finds himself in front of the big screen with his ensemble Montopolis, performing original soundtracks to silent classics, and now creating a series of multimedia productions highlighting the natural wonders of the Lone Star State.

Updated on Jun. 17 at 11:41 a.m.

Baltimore Symphony Orchestra (BSO) musicians, carrying signs reading "Fair Play for World Class Musicians," have begun picketing in front of their artistic home, Joseph Meyerhoff Symphony Hall, as the orchestra's management has locked out its players.

The Last Black Man in San Francisco is a film about how the California city has transformed in ways that have benefited the extremely wealthy and harmed its black residents. It's also a fairy tale about a deposed prince, and so, it requires a grand, fairy tale score.

What sounds like music to us may just be noise to a macaque monkey.

That's because a monkey's brain appears to lack critical circuits that are highly sensitive to a sound's pitch, a team reported Monday in the journal Nature Neuroscience.

The finding suggests that humans may have developed brain areas that are sensitive to pitch and tone in order to process the sounds associated with speech and music.

In the opening scene of Pavarotti, the new documentary by director Ron Howard, the popular tenor travels deep into the Amazon jungle in search of an old opera house where the great Enrico Caruso may have once sung.

The building is shuttered, but because he's Luciano Pavarotti the door is unlocked for him to belt out a few honeyed notes from the stage. His fabulous voice soars into the vast emptiness of the auditorium.

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In a surprising announcement Thursday, the Baltimore Symphony Orchestra abruptly cancelled its summer 2019 lineup of concerts.

This month in Tulsa, Okla., opera singer Lucia Lucas made her U.S. debut. She also made history.

At the Tulsa Opera, Lucas sang the title role in Mozart's Don Giovanni. Mozart's character is a ruthless, macho womanizer. Lucas is a transgender woman with a rich baritone voice and is the first known trans woman to sing a principal role on an American opera stage. In a conversation with NPR's Ari Shapiro, Lucas said she doesn't want her performances to be entirely defined by this historical marker.

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