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In '72, filmmaker William Greaves hosted a cocktail party for the surviving members of the Harlem Renaissance. Our critic says the footage is "like watching a 50th college reunion set on Mt. Olympus."
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On this episode of NPR's From the Top, we're celebrating Ravel's 150th birthday with a septet of teens performing Ravel's "Introduction and Allegro," and a teen pianist treats us to one of Ravel's most iconic piano works. We also meet a talented young saxophonist who finds inspiration in Duke Ellington.
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A new book by Larry Tye -- The Jazzmen -- traces how the popularity of musicians Duke Ellington, Louis Armstrong and Count Basie affected the civil rights movement.
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From the early days of his career in the 1930s until his death in 1974, Duke Ellington continually pushed the boundaries of jazz, writing suites, film scores, and "symphonic" works.
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He called it "a parallel to the history of the American Negro." Duke Ellington's Black, Brown and Beige wasn't an immediate hit, but it set a tone for ambitious, provocative works about black life.
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In July 1970, Duke Ellington recorded two tunes engineered by Conny Plank. Jazz critic Kevin Whitehead says The Conny Plank Session,which is now on CD, is a window onto Ellington's working method.
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Willie Ruff, a soldier at the age of 14 and a graduate of Yale at the age of 22, has crossed the paths of many of the giants in the music world, including…
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Nowhere is the legacy of Edward Kennedy "Duke" Ellington — among the greatest composer/bandleaders in history — more profound than at the Washington, D.C., arts high school that bears his name.
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When the prolific composer died in 1974, he left one of his most ambitious projects unfinished. Forty years later, admirers are still trying to fill in the blanks.
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Duke Ellington's piece for Queen Elizabeth II is included in a new collection of late-period suites.