Tegan And Sara Take It Back To Their Teens For New Album, Memoir
The musical duo Tegan and Sara return to high school. They join for a conversation about music — and growing up.
Tegan and Sara Quin, identical twin sisters who make up the indie pop band Tegan and Sara. The pair have released nine studio albums, including their most recent “Hey, I’m Just Like You.” Authors of the memoir “ High School.” ( @teganandsara)
Music From The Show
From The Reading List
Excerpt from “High School” by Tegan and Sara Quin
1. Tegan — Welcome To High School
“Tell her to get out. Tell her to leave us the fuck alone,” Sara screamed as we brawled and Mom tried to separate us. “Naomi’s mybest friend. Tell her to get one of her own.”
It took all the air from inside me when Sara said it, like a bad fall.
The summer before we started high school, Sara and I were virtually estranged. During the day you could find me moping in the basement of our baby blue two-story house, deep in the suburbs of northeast Calgary, watching TV alone. If I wasn’t there, I was in my room with the door locked, playing music so loud my ears rang. While my mom and stepdad, Bruce, were at work, Sara and I either aggressively ignored each other or were at each other’s throats. We fought, mercilessly, for time alone, but I still felt a primal fear of being apart from her, especially as high school loomed. I was plagued with anxiety dreams all summer, in which I wandered the halls of our school searching for her. The dreams stoked the dread I already felt, adding layers of questions I avoided in the light of day like I avoided Sara. We hadn’t always been like this.
Naomi had complicated things. We met her in grade nine, our final year of junior high, when the French immersion program she was enrolled in moved to our school. Naomi was small, blond, with lively, sparkling green eyes. You couldn’t miss her in the halls. She dressed in brightly colored clothes and said hi to everyone. She oozed friendliness and kindness. Around her, a tight-knit pack of equally cool-looking girls we’d nicknamed the Frenchies was always with her. Sara and I became fast friends with all of them, but Naomi drew Sara and me in closest. For a time, we were both Naomi’s best friends. This was nothing new; Sara and I had always shared a best friend growing up. Our shared best friends acted as a conduit between us: we confessed to them what we couldn’t tell each other, and knew they’d pass along the message. We seemed to prefer it this way. But at the end of grade nine, Naomi and Sara forced an abrupt unraveling of this friendship after Naomi told us she and some of the other Frenchies planned to attend Aberhart High School, instead of Crescent Heights, like us, that fall. After that, Naomi and Sara acted as if Naomi were being shipped overseas, rather than across town. They isolated themselves as summer started, hid behind the locked door of Sara’s room, and left me out of their plans for sleepovers. I felt confused, injured, abandoned. I instigated violent clashes with Sara in front of Naomi when they left me out, further damaging whatever bond remained between the three of us. It was war.
After the fight, Mom followed me back to my room, where she watched as I sobbed on top of my bed, gulping back lungfuls of air, trying to calm down. Mom was an intake worker on a mental health line, working long shifts that meant Sara and I were free to kick the shit out of each other without a referee in earshot all summer. Throughout most of our lives, she balanced school and work, getting first a bachelor’s and then a master’s in social work while holding down a job. She was also a cool mom, someone our friends could confide in when they had problems at home or school. “Your mom’s so easy to talk to,” my friends constantly told me. But, as she watched me cry, I felt her analyzing the situation, and me, and I felt resentful; I just wanted to be left alone.
“I don’t know why you two aren’t getting along anymore. You used to be so close. I mean, my god, you used to cry the first day of school, every single year, because you weren’t allowed to be in the same class together.”
It was true. When Sara’s name was called and she reluctantly walked away from me toward her own class, my eyes would fill with tears every time, despite my attempts to will them away. When Sara turned back, she’d look stricken when she saw the tears racing down my cheeks. Growing up it had hurt to be without her, but somehow by the end of junior high, she had turned into someone it hurt to be around.
“She’s . . . mean . . . I . . . don’t . . . know . . . why . . .they . . . leave . . . me . . . out . . .” As I tried to get out an explanation through hiccups and near hyperventilation, Mom just nodded sympathetically, which made me want to throw myself out the window.
“You might like having your own best friend,” she suggested. “You’ve always had to share with her, Tegan. It could be nice for you to have someone of your own. Don’t you think?”
I didn’t bother answering. She couldn’t possibly understand what Sara had taken from me that night. It wasn’t just the loss of Naomi; it was that no one could replace Sara.
The morning of our first day of grade ten, while Sara and I waited for Bruce to drive us to the bus stop, I suggested we steal a few loonies from his ashtray so we could buy Slurpees. Sara egged me on and kept a lookout as I pocketed the change. I felt united with her in our entitlement to his money. We blamed him for moving us to the suburbs, where no direct buses to school went and none of our friends lived. An hour later I grabbed Sara’s arm as we pushed through the towering wooden doors at Crescent Heights into the twostory student center. “Come on. Let’s go find our friends.” Around us, arriving students permeated the space with the smell of fresh clothes and new rubber-bottomed sneakers. I sensed nervousness in the faces of everyone we passed, even Sara’s. Somehow, I felt calm. Junior high had been an endless shitshow, an exhausting hellscape that lasted the entire three years we were there, never letting up or letting go. High school couldn’t possibly be worse.
“There,” I said, grabbing Sara’s arm. “There she is.”
“Kayla,” Sara yelled, waving her arms wildly to get her attention.
Before we shared Naomi, we shared Kayla. I guess that made her our ex–best friend.
I had spotted her in the gymnasium on the first day of grade seven. She was lean and tan and had curly brown hair, and her eyes were every shade of blue. Those first few weeks of grade seven everyone vied for her attention: her friends, boys, me, and Sara. She moved with the confidence of a cheerleader, even though she had braces. We were impossibly uncool, clinging to the bottom rung of the social complex, but Kayla and Sara shared a homeroom and became friends, leapfrogging Sara from obscurity to notable best friend overnight. By proxy, I leapt, too. For a time, the three of us were always together in the halls at school. At sleepovers on weekends, Kayla always insisted our sleeping bags go on either side of hers. But the friendship was tumultuous, complicated by the shrapnel of adolescence, and by the end of grade eight Sara and I had emancipated ourselves from the larger group we shared with Kayla. Now that Sara was officially calling Naomi herbest friend, I was secretly hoping to reconcile with Kayla to make her mine. All mine this time.
“Hi,” Kayla gasped happily when she reached us, throwing her arms around Sara and me. Kayla’s older sister was two years ahead of us in grade twelve, and the kind of popular that made you consider throwing yourself down a set of stairs to make room for her if you were in her way. Kayla gave off the kind of confidence endowed by a popular older sibling, and I basked in her embrace, hoping it might bolster me for later, when I would face the halls and my classes alone. At a minimum, I hoped that knowing Kayla meant anyone who might bother me would think twice about messing with me, a friend of Kayla’s sister.
An announcement over the P.A. ordered us grade tens toward the gymnasium. We joined a line of kids who were already making their way there. Inside, we left Kayla to find the table with the letter of our last name to get our locker assignments and student agendas.
“You’re next to each other,” the grade twelve said, checking off Sara’s name and mine from the list in front of her as she handed us our locker combinations. “Twins?”
“Yes,” we answered together.
We reunited with Kayla in the wooden bleachers and compared class schedules. I squealed when I saw we shared a class in sixth period called Broadcasting and Communications.
“What is it?” Kayla scrunched her face and laughed, locking her wide eyes on me waiting for an explanation.
“I can’t remember.” I shrugged. “Something about making movies? Who cares, we’re together, that’s what matters.”
When a balding man in a tan suit with a wide striped tie took the stage, the gym quieted quickly. In a booming voice that didn’t match his small frame, he welcomed us to our first day of high school and introduced himself as our principal. Then he explained the first day was a half day. This inspired a round of cheers. After that he recited the school rules, finishing with the rule he considered most important, in a stern tone of warning: “Crescent Heights has a zerotolerance policy when it comes to drugs. If you are caught with any illegal substance on school property, or under the influence at any time, you will be expelled. No exceptions.” At this, the gymnasium exploded into hooting, jeering, and whistles that went on for a full minute. A group of guys from our junior high who’d been mixed up in a gang whistled and stood, high-fiving one another. I marveled at their disregard for authority, even if they were jerks. Kayla, Sara, and I rolled our eyes at one another as the principal shushed the block of students in front of him. “This is nota joke, folks. I don’t encourage you to test me on this policy, because I assure you we are quite serious here at Crescent Heights about drugs.”
Kayla, Sara, and I had dropped acid a few times that past summer, and it had unexpectedly mended the broken parts of our friendship with Kayla. But I also noticed that while we were high, Sara and I got along. We even had fun together. It had been so long since that had felt possible that I’d forgotten Sara could be fun. The two of us talked almost constantly, when Mom and Bruce weren’t around, about where we could find acid again and when we could do it next. After nearly an entire summer of not talking, we had found a way to connect with each other again. Acid provided a small square of neutral territory, relief from the war that had been raging between us since Sara and Naomi had bounced me from their union. But the LSD also provided a bridge. And it seemed that in order to get past where we’d been stuck for so long, Sara and I needed one. For all intents and purposes that bridge was drugs, specifically acid, which we couldn’t have been more thrilled about.
“I’m serious about drugs, too,” I whispered to Sara and Kayla, who chuckled conspiratorially.
“Shhh,” Kayla said, looking around guiltily as the principal continued his speech. “If my sister finds out I did acid, no—check that, if she finds out any of us tried acid, she’ll fucking kill us.”
“Well, don’t tell her,” Sara said.
“Yeah, don’t ruin it for us,” I added.
“Then keep your fucking voices down.”
“Alright, chill.” I laughed and threw my arm around her. “No one will find out,” I whispered.
Just then the bell rang and six hundred grade tens stood in unison, forcing the three of us to our feet. As we made our way down the bleachers, I clutched the back of Kayla’s jean jacket; behind me, Sara clutched mine. We slowly made our way toward the doors that would lead us to the hallways I’d been anxiously dreaming about all summer. Before we got there, the principal took to his mic one more time: “Welcome to high school,” he boomed. “Good luck.”
Excerpted from HIGH SCHOOL by Tegan and Sara Quin. Published by MCD, a division of Farrar, Straus and Giroux, on September 24th, 2019. Copyright © 2019 by Tegan and Sara Quin. All rights reserved.
Boston Globe: “ Tegan and Sara revisit their teens, and like what they hear” — “It’s common for thirtysomethings to reminisce about high school — by flipping through yearbooks, maybe, or looking up old friends. Indie pop stalwarts Tegan and Sara have gone many steps further: they’ve written a memoir about their teen years and recorded an album of songs they wrote during that period.
“Their book ‘High School,’ and its companion record, ‘Hey, I’m Just Like You,’ are both revealing about their creators and touchingly familiar to those who struggled through — and fondly recall — adolescence. The duo plays a sold-out show at the Wilbur Theatre Friday.
“Tegan and Sara Quin, 39, are twins who grew up in Calgary. Their memoir, which alternates between chapters written by each sister, details adolescences filled with love, tough relationships, and an increasing awareness of sexual identity (both sisters are gay).”
Rolling Stone: “ Tegan and Sara Come of Age on ‘Hey, I’m Just Like You’” — “Your old high school journals are probably full of thoughts you would rather burn than let the whole world read. For Tegan and Sara, the lyrics they wrote together between ages 15 and 17 prove to be worth a thrilling return and revamp. This is the basis of the twins’ ninth album Hey, I’m Just Like You, which serves as return to high school feelings as well as a meeting point for the indie rock and synth-pop elements of their sound.
“Hey, I’m Just Like You’s source material is not presented in the raw but the pair do their best to maintain their teenage melodrama while giving it a more mature boost. On album opener ‘Hold My Breath Until I Die,’ they launch this experiment with a dose of pop-punk death-and-love metaphors: ‘In my dreams, the blood runs from my eyes/If I fall, will you catch me in your arms?’
“The songs are chock full of that familiar high school hurt, which feels like a gut-punch after the seductive straightforwardness of their rock-to-pop pivot in recent years. In some ways, it makes the confidence of their last two albums feel more satisfying: the achingly heartbroken teens who wrote lonely tunes like ‘I Know I’m Not the Only One’ and ‘Please Help Me’ would eventually pen the more emotionally certain singles ‘Closer’ and ‘Boyfriend,’ from Heartthrob and Love You to Death respectively. This LP feels like the prequel to a gratifying coming-of-age story about pop girlhood.”
This article was originally published on WBUR.org.
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