Jeff Lunden | Texas Public Radio

Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

MICHEL MARTIN, HOST:

Broadway is coming off a record-breaking season, in terms of attendance and box office receipts. But this weekend and next weekend, five musicals, representing an investment of $95 million, will close.

Broadway attendance was up 14% between 2018 and 2019, generating $1.83 billion in ticket sales. But not everyone has been invited to the party, says Jeremy Gerard, who has covered Broadway as a reporter and critic for over three decades.

"It's been a great year for Broadway, and that's true if you're one of the producers of a blockbuster show on Broadway," he says.

The musical theater director and producer Hal Prince, winner of an unprecedented 21 Tony Awards, has died in Iceland after a brief illness. He was 91.

Prince worked on such major shows as Cabaret, Sweeney Todd and The Phantom of the Opera. But he was always looking forward to the next show, regardless of how the last one turned out.

In 1965, composer John Kander was working on a show that Prince produced called Flora, The Red Menace — and it was not going well.

Opera is an art form well-suited to big emotions and tragic stories, often set in the past. But a new opera, Blue, grapples with a more contemporary tragedy — the killing of an unarmed black man at the hands of a police officer.

June 28 marks the 50th anniversary of an event that proved to be a catalyst for a simmering gay-rights movement. On that day in 1969, police raided the Stonewall Inn in Greenwich Village. Now a new opera, Stonewall, at the New York City Opera, dramatizes that historic moment.

Trustees of the American Federation of Musicians and Employers' Pension Fund (AFM-EPF) announced the evening of May 24 that they will apply to the U.S. Treasury for a reduction in member benefits, due to the AFM-EPF's "critical and declining" status – meaning the fund is projected to run out of money in 20 years. The AFM represents 80,000 professionals in the United States and Canada who play in symphony orchestras and opera houses, on Broadway, in film and television, and on studio recordings.

The 2018-2019 Broadway season hurtled to a close, with 14 plays and musicals opening in March and April, before the Tony Award nominations were announced on Tuesday morning. And some of the late entries into the race were handsomely rewarded.

Pulitzer Prize-winning composer Dominick Argento died on Wednesday in Minneapolis, Minn., after a short illness; his death was announced by his family He was 91. Argento was best known for his lyrical and astringent music for the human voice – he wrote 13 operas, as well as song cycles and choral works. As he told the late Mary Ann Feldman in a 2002 interview, "My interest is people. I am committed to working with characters, feelings and emotions."

There's a new star on Broadway. He's 20 feet tall, weighs 1.2 tons and requires 15 people to move.

His name is King Kong.

The gigantic puppet is the centerpiece of a $35 million musical, based on the classic 1933 film. In some ways, King Kong is a typical Broadway musical — there are songs and dances and dialogue. But what the audience really wants to see is the giant ape.

He is quite big — when he stands upright, snorting and sniffing and roaring, he's two stories tall. And he feels alive.

Two of the country's oldest and most venerated music institutions, the New York Philharmonic and the Metropolitan Opera, are beginning their seasons with a change in artistic leadership. Both organizations are grappling with 21st century issues of bringing new audiences in and convincing them that centuries-old music forms are central to their lives today.

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