Community Calendar

The Institute of Texan Cultures will celebrate its own homecoming at a new, temporary home at Frost Tower in early 2026!

It’s homecoming, and we want YOU to be a part of it. We want your mums! Share your story and let us display your mum creation in the exhibit!

On opening day, visitors will be treated to Mumentous®: The Upsizing of a Texas Tradition—the first of many traveling exhibits to grace our new space.

Do you still have your high school mum? Is it hanging proudly on your wall? Share your story and let us display your mum creation in the exhibit!

MUMENTOUS® is organized by the Arlington Museum of Art, Arlington, Texas. Mumentous® will be on display opening day through March 15, 2026.

Emotions at Play with Pixar's Inside Out, the first interactive exhibit based on the award-winning Disney and Pixar film, helps visitors - young and old - understand the important role emotions, memory and imagination play in our everyday lives. Focusing on the five core emotions featured in the film - Joy, Sadness, Anger, Disgust and Fear - hands-on and digital experiences in the exhibit offer opportunities to explore some of the ways we express our emotions - and recognize emotions in others, too.

O’ Powa O’ Meng—”I came here, I got here, I’m still going”— is how Jody Folwell describes, in her Tewa language, her personal journey with pottery. A contemporary artist from Kha’p’o Owingeh (also known as Santa Clara Pueblo, in New Mexico), she is among the most significant and influential clay artists of her generation. Across five decades of artistic practice, Folwell has revolutionized contemporary Pueblo pottery with energetic, avant-garde innovations of form, content, and design that have influenced younger generations of Pueblo potters. This exhibition presents iconic works that demonstrate the arc of Folwell’s trailblazing career and place her within the canon of contemporary American art.

"O’ Powa O’ Meng: The Art and Legacy of Jody Folwell" is organized by the Fralin Museum of Art and the Minneapolis Institute of Art. Major support for the national tour and exhibition catalogue is provided by the Terra Foundation for American Art. Curator-in-charge at the McNay Art Museum is Lauren Thompson, Curator of Exhibitions.

Support is provided by the Elizabeth Huth Coates Charitable Foundation of 1992; the Flora Crichton Visiting Artist Fund; Ewing Halsell Foundation, Louis A. and Francis B. Wagner Endowment; and the William Randolph Hearst Foundation.

Please join us for a Patron and Visionary Circle Curator Talk and Tour of O’ Pawa O’ Meng: The Art and Legacy of Jody Folwell, led by Lauren Thompson, Curator of Exhibitions. This event offers an insight into Folwell’s technical brilliance and fearless innovation.

Members will receive the registration link via email. Not a member yet? Join the Patron Circle or Visionary Circle today to participate in this exclusive event: mcnayart.org/membership

Additional information: membership@mcnayart.org or 210-805-1728

URBAN-15 seeks talented drummers with experience from high school, college, or any musical group for the 2025-2026 season of performances. These performances include a wide variety events, including Dia de Los Muertos, Luminaria, and International Festivals. Interested drummers are invited to call (210) 736-1500 or email events@urban15.org, and to join URBAN-15’s drum ensemble during open rehearsals Thursdays at 7pm at 2500 S. Presa. This Open Call is FREE to join, and open to all members of the community regardless of age, race, or gender identity.

Drummers enrolled into the Open Call will practice the ensemble’s various performance styles and genres, including Afro-Cuban, Brazilian, and experimental rhythms. Final selections to join the URBAN-15 Percussion Ensemble will take place at the end of the Open Call period during a formal tryout. Those selected to join will be expected to participate in the majority of the season’s performances as well as perform in gear such as illuminated costumes, helmets, and masks alongside URBAN-15’s Dance Ensemble. URBAN-15’s ensembles are close knit groups, and may lead to professional connections within or outside the musical sphere. Ensemble members are also asked to volunteer for miscellaneous duties such as parking assistance, kitchen aid, guest ushering, and more.

Emotions at Play with Pixar's Inside Out, the first interactive exhibit based on the award-winning Disney and Pixar film, helps visitors - young and old - understand the important role emotions, memory and imagination play in our everyday lives. Focusing on the five core emotions featured in the film - Joy, Sadness, Anger, Disgust and Fear - hands-on and digital experiences in the exhibit offer opportunities to explore some of the ways we express our emotions - and recognize emotions in others, too.

Irrationally Speaking highlights two art forms—collage and assemblage—as artistic techniques and conceptual approaches. With the simple act of placing two or more distinct images or objects together (sometimes jarringly so) artists can create a complex whole to address a multiplicity of meanings. Combined wood fragments, cut-and-pasted paper, seamless digital and photo-based prints comprised of disparate pictures, bronze sculptures created from discarded shoes, and contrasting clothing articles put together —these are some of the ways that contemporary artists harness a myriad of materials and methods to craft the art in this presentation.

Irrationally Speaking will be on view 9.21.24 - 8.31.25

Entry to Ruby City is free and open to the public. Reservations are recommended but not required.

Drawn primarily from the McNay’s outstanding collection of works on paper, this exhibition highlights the extraordinary creativity in 19th-century France, a time when we also rarely consider that printed images were subject to censorship laws—particularly between 1820 and 1880. In fact, some of this creativity was strategy to subvert and work around existing laws. The exhibition features critical images by Honoré Daumier and Édouard Manet in the context of prints made by their peers and later artists. The latter group includes Pablo Picasso, José Clemente Orozco, José Guadalupe Posada, who were inspired by how artists such as Manet and Daumier dealt with government censorship and used caricature to make protest art. In addition, more recent works by activist Guerrilla Girls and Donald Moffett add a contemporary lens to the presentation.

"Do Not Meddle With It!!: Print Censorship in 19th Century Paris" is organized for the McNay Art Museum by Elizabeth Kathleen Mitchell, Ph.D., Curator of Prints and Drawings.

Support is provided by the Elizabeth Huth Coates Charitable Foundation of 1992.

O’ Powa O’ Meng—”I came here, I got here, I’m still going”— is how Jody Folwell describes, in her Tewa language, her personal journey with pottery. A contemporary artist from Kha’p’o Owingeh (also known as Santa Clara Pueblo, in New Mexico), she is among the most significant and influential clay artists of her generation. Across five decades of artistic practice, Folwell has revolutionized contemporary Pueblo pottery with energetic, avant-garde innovations of form, content, and design that have influenced younger generations of Pueblo potters. This exhibition presents iconic works that demonstrate the arc of Folwell’s trailblazing career and place her within the canon of contemporary American art.

"O’ Powa O’ Meng: The Art and Legacy of Jody Folwell" is organized by the Fralin Museum of Art and the Minneapolis Institute of Art. Major support for the national tour and exhibition catalogue is provided by the Terra Foundation for American Art. Curator-in-charge at the McNay Art Museum is Lauren Thompson, Curator of Exhibitions.

Support is provided by the Elizabeth Huth Coates Charitable Foundation of 1992; the Flora Crichton Visiting Artist Fund; Ewing Halsell Foundation, Louis A. and Francis B. Wagner Endowment; and the William Randolph Hearst Foundation.

Ruby City proudly presents Synthesis & Subversion Redux, an exhibition celebrating the legacy of Frances Jean Colpitt and the evolving conversation around Latinx art. This new exhibition revisits Colpitt’s groundbreaking 1996 show, Synthesis and Subversion: A Latino Direction in San Antonio Art, and its influence on contemporary art practices today.
In 1996, Colpitt brought together a group of San Antonio-based artists—Jesse Amado, David Padilla Cabrera, Alejandro Diaz, Franco Mondini-Ruiz, Ana de Portela, and Chuck Ramirez—who explored identity, abstraction, and the everyday through conceptual approaches. The exhibition challenged norms and sparked critical debate, becoming a pivotal moment in San Antonio’s art history.

Now, nearly 30 years later, Redux builds on Colpitt’s vision while reflecting the profound changes in the art world since then. Curated by two Latinas in leadership roles at major institutions, Ruby City Director, Elyse A. Gonzales, and Curator of Latinx Art at the McNay Art Museum, Mia Lopez, Redux showcases the work of five contemporary artists: Juan Carlos Escobedo, Jenelle Esparza, Bárbara Miñarro, Angeles Salinas, and José Villalobos. These artists bring fresh perspectives to themes of identity, memory, and culture, often through craft-informed practices that incorporate textiles, personal history, and connections to the U.S.-Mexico border.

The exhibition will be on view from February 15, 2024 through September 28, 2025 at Studio, located inside Chris Park (111 Camp Street).