Philip Glass

Classical music opinionator Fran Hoepfner says the energy of the 1990s piece matches the mood of this possibly post-pandemic summer.

A world premiere recording of a new piano concerto by Philip Glass sits comfortably beside a Bach classic.

The performance artist reflects on Philip Glass' generous spirit, his perpetually fresh ideas and the grand experiments hatched in the lofts of SoHo in the '70s.

The veteran performance artist admires the skipping rhythms and calm center in the piano Etude No. 10 by Philip Glass that she says lies just beyond her grasp.

The great songwriter explains his fascination with the repetition, symmetry and changing time signatures in Glass' music.

Pulitzer Prize-winning composer David Lang has been a Philip Glass fan since high school. But it was a performance of the opera Satyagrahatriggered a genuine epiphany.

The young composer recalls his teenage discovery of Music In 12 Parts — listening on a Discman while walking in New York — and how it later energized his own compositions.

The director of documentaries like The Thin Blue Line and The Fog of War once told the composer his music wasn't repetitive enough.

Philip Glass and Christopher Hampton say the racial unrest in the U.S. since the work first premiered in 2007 forced them to address "changes in the way this country understands itself."

NOTE: I have never felt the need to preface a music review until now, but there's a first time for everything. Valentina Lisitsa has recently been…