© 2026 Texas Public Radio
Real. Reliable. Texas Public Radio.
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Search results for

  • Hem is a Brooklyn, N.Y., band whose ranks occasionally swell from four core members to an 8- or 9-piece ensemble, including pedal steel, glockenspiel and violin. The title of their third studio album, Funnel Cloud, implies dark skies — but it's more of a goodbye kiss to the summer season.
  • A CD series called Congotronics showcases urban traditional bands in Kinshasa, Congo. The first Congotronics CD was a hit in Europe and the United States, especially popular with DJs who work the music into their club mixes. Now, Congotronics 2 is being released.
  • For nearly 30 years, David Weiss and Don Fagenson have melded funk and absurdity as Was (Not Was). They talk with Scott Simon about their latest album, Boo!, the first in more than 15 years.
  • Of a Cars reunion, lead singer Ric Ocasek once proclaimed, "Put it out of your mind." But after a 24-year break, the new wave legends are back with a new album called Move Like This.
  • Critic Ken Tucker reviews What We Lose in the Fire We Gain in the Flood, the debut album from a new band called The Mynabirds. The group is led by singer-songwriter Laura Burhenn, whose influences range from Dusty Springfield and Carole King to Carl Jung and Sufi poetry.
  • The New Jersey band's sophomore album, The Monitor, runs fast guitar music through its leader's obsession with military history. Reviewer Robert Christgau says he's impressed by the ambition of Patrick Stickles and company.
  • Bionic and the Wires is a band that makes music by turning the electrical activity of fungi into playable sounds.
  • The Israeli-held Golan Heights, located right next to a civil war, has become an incubator for an experimental Arabic music scene.
  • That June, Miles Davis played four nights at the New York rock palace Fillmore East. Those performances are now out in full for the first time.
  • A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed Ward says Plug It In! Turn It Up! does "a great job of illuminating one particular aspect of the blues."
713 of 8,012