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The alto saxophonist's new record with his band Five Elements is a two-disc set, in which most pieces are played twice, in differing elastic versions.

After a move to New York in the late '60s, the clear-toned Fortune became a versatile fixture on the broad landscape of modern jazz.

Pizzarelli is known as one of jazz's great chord soloists, as well as an extraordinary rhythm player. Now 83, Pizzarelli was recently honored by the New York Public Library as one of its speakers at the "Duke Jazz Talks," an interview series in which he performed with his son, John Pizzarelli.

The twins, both veterans of rock, improvisation and new music in Southern California, have released new albums simultaneously. And though they don't play on each others' discs, their shared aesthetics date back to the womb.

Two years after her sudden dismissal from Damien Rice's band, in which she sang backup for seven years, the Irish singer has crafted her first solo album. Literally, crafted: Not only did Hannigan write the music, but she also hand-stitched the liner notes.

One of the Northwest's biggest indie rock festivals is back this weekend after pandemic delays. Treefort Music Fest in Boise, Idaho, draws big stars but also small town artists looking for a break.

Content is Gang of Four's first studio record in 16 years. Within its first moments, the classic sound of angular but danceable post-punk is instantly recognizable. Singer Jon King says it's a privilege to have "inspired other musicians to make great music."

Critic Lester Bangs once declared progressive rock "musical sterility at its pinnacle." David Weigel, author of The Show That Never Ends: The Rise And Fall Of Prog Rock, begs to differ.

This year is the 60th anniversary of the Kingsmen's recording, "Louie Louie." The song has a surprising backstory.

After years of touring and collaborations, two members of the trio reflect on how this record created a moment of peaceful solitude. The album is called: A La Sala.