Oliver Wang
Oliver Wang is an culture writer, scholar, and DJ based in Los Angeles. He's the author of Legions of Boom: Filipino American Mobile DJ Crews of the San Francisco Bay Area and a professor of sociology at CSU-Long Beach. He's the creator of the audioblog soul-sides.com and co-host of the album appreciation podcast, Heat Rocks.
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Raucous, outspoken and empowered, Davis, who died last week at 77, always knew what she wanted her music to be — raw — and she took control of her career in an era when few Black women could. -
Valerie June has just released a new LP called The Moon And Stars: Prescriptions For Dreamers. The album foregrounds her distinctive voice and mixes reassurance with a yearning for engagement.
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In 1968, the British singer flew to the U.S. after signing with Atlantic Records. Her acclaimed recordings from this period are collected in Dusty Springfield: The Complete Atlantic Singles 1968-1971.
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The Gospel Truth was a subsidiary of the famous soul label Stax Records. A new anthology, The Gospel Truth: The Complete Singles Collection, revisits its brief moment in gospel soul history.
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Rampart Records documented L.A.'s Eastside Sound during a fertile period of interracial collaboration from the 1960s through the early 1990s. Now, some of that music has been reissued.
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Hip hop duo Gang Starr broke up in the mid-2000s and in 2010, MC Guru died. So fans were surprised by the announcement of a new, posthumous album called One Of The Best Yet.
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The prodigious San Antonio band's new anthology is a tempting selection of its most enduring singles, from the era that helped propel the band from Texas locals into national stardom.
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Frankie Reyes is a Los Angeles-based artist who remakes classic Mexican and other Spanish-language ballads and waltzes using a vintage synthesizer. His new album is called Boleros Valses y Mas.
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The 1972 concerts at The Apollo were recorded but, inexplicably, never released — until now. They show a side of Brown content to turn the show over to his collaborators.
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Maybe this is all part of some performance-art piece we've been unwittingly sucked into. But either way, it seems to be working.
