Randy Anderson | Texas Public Radio

Randy Anderson

Randy was Texas Public Radio's Classical Music Director until 2013 and the longest-serving employee in Texas Public Radio's history. He hosted the very first airshift on KPAC when the station went on the air at 90.9 FM in San Antonio back in November, 1982.

Randy started his career in classical broadcasting at KMFM in the mid-70s, working with one of KPAC's founders, B.J. McClain. The overnight shift was the only full-time job when KPAC first started in 1982 and he was happy to take it.

Randy's first love is painting; he enjoys portraits, landscapes and still lifes, and he spends much of his free time in front of an easel. Great music is a perfect complement to his love for painting and Randy spent years trying to find the perfect instrument. The piano came close, but he eventually realized that his best instrument is a turntable or CD player (or digital library).

Ways to Connect

Wikipedia

When I sit back and think upon my youth my thoughts often turn to television; I am an American after all. One program that gripped me in those days was "In Search of…" where Leonard Nimoy would explore various topics; everything from Bigfoot to the mysterious underwater monoliths thought to be the foundations of Atlantis.

Wikipedia

Think back to how families used to celebrate the Holidays. For some of us, it was sitting in front of the TV watching a Charlie Brown special, and going back another twenty years, Dad would play disc-jockey, keeping the records spinning on the Hi-Fi. Back another generation, families grouped around the piano with someone, who hopefully spent some time practicing, played Christmas carols for the mini-multitude to sing along.

Petrov Piano Company

On "The Piano" this Sunday, a collection of riveting pieces that have Slavonic roots. First, Sergei Rachmaninoff and his new, modular approach to music; whether he consciously or unconsciously chose tolling bell patterns as a basis for his 2nd piano sonata, the effect is the same as a great festival in which, at the conclusion, all the church bells get involved.

Then there is Mily Balakirev, who explored the height of piano virtuosity with his "Islamey," featuring a soloist who was never known to rein in his power and audacity - Vladimir Horowitz.

Wikipedia

Franz Schubert, incredibly talented and poor as a church mouse, wanted the chance to make a decent living from his music, and finally, near the end of his life, he got publishers interested. The down side was that his works were to be dictated by what would sell, and Schubert found his outlets wanted simple music that would sell rather than the big Sonata's that he was interested in.

In 1982 I was pushed into a chair in front of a microphone to back announce Bach's "Brandenburg Concerto No. 3."  Back then, KPAC was brand new, and had four turntables, reel to reel machines, and a small staff. With no university or college to support us, bringing classical music to San Antonio was a gamble from the get - go. Here are some of my favorite musical moments of the last three decades.

: Original resides at the Historic Museum of the City of Vienna

Franz Schubert had great friends, and he needed them. His father wanted him to teach school, but Franz was built to compose music, and what started as a family hobby turned into an all consuming passion. Giving up his teaching job, Schubert turned to his friends, and with their help he was allowed, slowly and painfully, to become the artist he knew himself to be.

Dixie Flag Company

This country is always in motion, or as one shipping company calls it "moving at the speed of business." Before the question of slavery became a civil war, American's enjoyed their minstrel shows, and after the conflagration, touring minstrel shows were once again one of this country's favorite pastimes.

This Sunday on "The Piano," music that has many fathers, music that comes together, ferments a bit and becomes something new - different and distinctly American.

Wikipedia

In the 3 sonatas of Opus 10, Ludwig van Beethoven was making a statement about his pianistic abilities, and one thing he knew that would certainly attract attention was contrast. The composer asks for double fortes, throws in unexpected rests, and invents the heroic funeral movement that he would exploit in future symphonies. This is all in the third sonata in D Major.

listal.com

Arrogant, willful and brusque, not paying attention to how he dressed or even to combing his hair, Ludwig van Beethoven wasn't a man cut out for high society. Luckily in Vienna, the upper crust loved and understood music, and with that introduction, Beethoven was exactly in the right place.

During this 30th year anniversary, I have had several people ask me if it has felt like thirty years, and the answer is yes and no. When I think back to all the improvements to the station and the additions to the library it does feel like three decades, but in time spent presenting this great music, it hasn’t seemed that long at all.

Another question that comes up is, ‘What was it like to get the station on the air?’

Pages