KPAC Blog

The KPAC Blog features classical music news and analysis from all our classical hosts. From Ron Moore's detailed look at Wagner's masterpiece "Parsifal," to an inside look at the Latin Grammys from James Baker, the KPAC Blog features writings about some of the music played on air as well as other interviews and essays about classical music.

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KPAC blog: Saturday Afternoon At The Opera
12:42 pm
Tue November 20, 2012

A Holiday Special, J.S. Bach's 'St. Matthew Passion'

Credit Elias Gottlob Haussmann / Wikipedia Commons
Johann Sebastian Bach at 61 years old.

Last week, we played Wagner's Parsifal, which is often referred to as an Opera-Oratorio. This week, for the beginning of the holiday season, it's Johann Sebastian Bach's St. Matthew Passion; in its turn, the work is often called a Concertante Opera. If ever there was an oratorio that called out to be dramatized, the St. Matthew Passion is it. While living in New York, I met many scenographers who dreamed of the day they'd have a shot at the cosmic drama. Also termed, "The most monumental musical drama before the Ring," Bach's passion has it all.

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KPAC Blog
9:19 am
Tue November 20, 2012

Top Ten Thankful Classical Songs

Credit Wikipedia
Traditional Thanksgiving

We love Top Ten lists just as much as the next guy, so here goes our Thanksgiving Edition! (click on the title to hear an example!)

#10. Leonard Bernstein: Turkey Trot (Divertimento)

#9. Trad, arr Carmen: Turkey in the Straw

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Deceptive Cadence
7:56 am
Tue November 20, 2012

Calculated Instability: The Pioneering Sonatas Of C.P.E. Bach

If Carl Philipp Emanuel Bach wrote a dull piece of music, I've not yet heard it. And even if there is a workaday piece or two lurking within his 300 keyboard sonatas, you certainly won't find it on this new album by British pianist Danny Driver, who deftly uncovers the surprising restlessness of the music.

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Deceptive Cadence
4:23 pm
Mon November 19, 2012

Beethoven's Famous 4 Notes: Truly Revolutionary Music

Credit Hulton Archive / Getty Images
An autographed portrait of Ludwig van Beethoven.

Originally published on Tue November 20, 2012 10:00 am

A new book, a new recording and some old instruments, all addressing the most memorable phrase in music: the opening of Beethoven's Fifth Symphony.

Matthew Guerrieri has written a book about this symphony, called The First Four Notes: Beethoven's Fifth and the Human Imagination. Guerrieri writes about how Beethoven's piece resonated with everyone from revolutionaries to Romantics, and German nationalists to anti-German resistance fighters.

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Arts & Culture
1:51 pm
Mon November 19, 2012

Musica Antiqua Live, Sunday 11/25

San Antonio's two period-instrument early music ensembles will join forces to present a concert that traces the evolution of musical styles from the Renaissance to the Baroque. Ensemble Cazona performs on copies of Renaissance-era recorders. Retablo will perform music of the 18th century using Baroque recorder and traverso with viola da gamba, harpsichord, and theorbo. This concert will take place at 3:00 on Sunday, November 25, in the Chapel of the Incarnate Word on the campus of Incarnate Word University located at 4301 Broadway. This event is free and open to the public.

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Classical Spotlight
11:07 am
Mon November 19, 2012

A Queen Of Dramatic Roles: Joyce DiDonato Is Simply Regal In Latest Release

Beloved and rarities abound on Drama Queens

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KPAC blog: The Piano
1:03 pm
Fri November 16, 2012

Beethoven Pushes The Envelope

In the 3 sonatas of Opus 10, Ludwig van Beethoven was making a statement about his pianistic abilities, and one thing he knew that would certainly attract attention was contrast. The composer asks for double fortes, throws in unexpected rests, and invents the heroic funeral movement that he would exploit in future symphonies. This is all in the third sonata in D Major.

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KPAC blog: Saturday Afternoon At The Opera
11:48 am
Thu November 15, 2012

One Of The Greatest Operas Ever Written: Wagner’s 'Parsifal'

Richard Wagner’s Parsifal, his final opera, was created in parallel with his greatest creations including The Ring and Tristan. Beginning in the 1850’s, its prose and poetry was returned to over and over again in first and second drafts, and was finally orchestrated and presented in 1882; it occupied over a quarter century in Wagner’s creative life. The work was scored with the acoustics of the newly built Bayreuth in mind and has one of the oddest operatic history’s imaginable.

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KPAC Blog
4:58 pm
Mon November 12, 2012

Movie/Music Review: Soundtrack For New Bond Movie 'Skyfall' Soars

Credit Simon Fernandez/Wikipedia
Composer Thomas Newman
Arts & Culture
8:30 am
Mon November 12, 2012

John Williams' Inevitable Themes

Credit Stu Rosner
Flanked by composer Leonard Slatkin and soprano Jessye Norman, John Williams takes a bow during his 80th-birthday celebration at Tanglewood in August.

Originally published on Thu November 15, 2012 9:52 am

For more than 50 years, John Williams' music has taken us to galaxies far, far away through adventures here on earth, made us feel giddy joy and occasionally scared us to death.

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