KPAC Blog

Margaret Bonds, who died in 1972, is perhaps near the top of the very short list of African-American female composers. Thanks to her partnerships with Langston Hughes and soprano Leontyne Price and others, she's remembered in some circles as an important figure in American composition. But, mostly, she's been forgotten.

"It's amazing that people don't know who she was, although she was quite well known in her time," says Louise Toppin, an opera singer and a voice professor at the University of North Carolina at Chapel Hill.

I remember reading a legendary performer once say that no two performances are alike. When I starting studying the piano I recorded some of my practice sessions to hear how I was playing without the distraction of making the music.

The great musician was right, not only were all my repetitions different, I couldn't make my performances sound the same if I tried.

Richard Wagner’s "Parsifal," his final opera, was created in parallel with his greatest creations including "The Ring" and "Tristan." It took him just over 30 years and several revisions before it was finally presented in 1882.

It is viewed as his most refined and elaborate work and it at times leaves people feeling that it is too profound to even applaud. In a comic twist, this bothered the composer; when Wagner would applaud a certain scene he would be hushed by members of the audience.