Tagged: Classical

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KPAC Blog
7:23 am
Mon December 3, 2012

Three New Releases Make Perfect Stocking Stuffers

New Music is a great gift!

John Clare has been listening to a lot of new releases lately - these three recordings really stood out.

Robert Xavier Rodriguez might not be a new name for TPR listeners, he was composer in residence for the San Antonio Symphony years ago, and his operas are often produced in Austin, Houston and Dallas (besides in the world's opera houses.)

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KPAC Blog
1:05 am
Sat December 1, 2012

KPAC's 30th Anniversary: 30 Years, 30 Musical Moments

Glenn Gould's 1981 recording of Bach's Goldberg Variations.

In 1982 I was pushed into a chair in front of a microphone to back announce Bach's "Brandenburg Concerto No. 3."  Back then, KPAC was brand new, and had four turntables, reel to reel machines, and a small staff. With no university or college to support us, bringing classical music to San Antonio was a gamble from the get - go. Here are some of my favorite musical moments of the last three decades.

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KPAC blog: The Piano
1:11 pm
Fri November 30, 2012

On The Piano: Size Isn't Everything For Schubert's 'Impromptus'

Credit : Original resides at the Historic Museum of the City of Vienna
Caricature of singer Johann Michael Vogl (left) and composer Franz Schubert (right). The caption (in German) reads: Michael Vogl and Franz Schubert go out for battle and victory.

Franz Schubert had great friends, and he needed them. His father wanted him to teach school, but Franz was built to compose music, and what started as a family hobby turned into an all consuming passion. Giving up his teaching job, Schubert turned to his friends, and with their help he was allowed, slowly and painfully, to become the artist he knew himself to be.

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KPAC blog: Saturday Afternoon At The Opera
5:47 pm
Thu November 29, 2012

The Season Finale: Franz Josef Haydn’s 'Orlando Paladino'

Credit Wikipedia
Franz Joseph Haydn

At one time Franz Josef Haydn had the best and worst job in the world. From his earliest youth he had found his way into the employ of the Eszterhazy family. Once he settled in, and with the exception of the rare argument, this arrangement (1761-1802) continued into his final retirement from ill health. He started with Prince Paul Anton (Pal Antal 1711-1762) first as assistant Kapellemeister and then the top post. But after that patron’s death his real compositional life began.

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