Nathan Cone | Texas Public Radio

Nathan Cone

VP, Cultural & Community Engagement

Nathan has been with the organization since 1995.  He leads the organization's cultural and community engagement outreach and social media efforts. Nathan began at TPR working on classical music station KPAC 88.3 FM, as host of “Tuesday Night at the Opera.”  He soon learned the ropes on KSTX 89.1 FM, and volunteered to work practically any shift that came his way, on either station. He worked in nearly every capacity on the radio before moving into Community Engagement, Marketing, and Digital Media. His reporting and criticism has been honored by the Houston Press Club and Texas Associated Press.

A native of Spring, Texas, Nathan began his broadcasting career while studying at San Antonio’s Trinity University, where he majored in Communication, with minors in Communication Management and Art/Art History.  At Trinity University’s KRTU, he was a student manager, serving as Jazz Program Director and Operations Manager.  Nathan graduated with a B.A. in Communication from Trinity University with minors in Communication Management and Art/Art History.

Currently, Nathan enjoys studying classic and contemporary films, especially Disney movies and those of the late director Stanley Kubrick.  He's the curator of Texas Public Radio's popular summer film series, Cinema Tuesdays.  He’s a musical omnivore, with a house full of classical, rock, and jazz compact discs and LPs. His favorite classical composer is Beethoven. His favorite jazz performer is Miles Davis, his favorite rock band is The Beatles, and his favorite film is Singin' in the Rain, which he enjoys watching with his wife and two children.

Mary Bruton

Marcia Ball was born in East Texas, reared in Louisiana, and since the early 1970s has been mixing those region’s sounds to create a musical signature that is part boogie-woogie, part Texas blues, with a touch of the Caribbean influence that defines New Orleans masters like Dr. John and Allen Toussaint.

She got her start in Austin, and points to the late Doug Sahm as a key figure in her own musical exploration.

Ethel Shipton

Angela and Mark Walley had only just opened up their independent film studio in 2010 when artist Chuck Ramirez died suddenly at the age of 48. The pair had met Ramirez in 2009, and were in the beginnings of a collaborative project with him. 

Courtesy photo

How have The Four Freshmen managed to sound so young all these years? The voices come and go, but that beautiful four-part harmony remains the same.

“Well, we always like to use the analogy… it’s more like a sports team. The organization is the same, it’s just the players and the faces have changed throughout the years,” explains Bob Ferreira, the low (or 4th) voice in the group.

Courtesy photo

Drummer Herlin Riley has been playing the drums since he was a toddler. The sound and feel of his native New Orleans is in his soul, and on the bandstand. “The rhythm of a particular area identifies the culture of the city, you know, whether it be [in] Cuba whether it be Jamaica, whether it be Africa. When you hear certain rhythms you can identify a certain culture. And so New Orleans is very, very strong in its culture.”

A decade ago, Hurricane Katrina threatened to wash away much of Riley’s native city.

Hilmy

Pianist Chris Villanueva’s quartet is joined by vocalist Jacqueline Sotelo for this week’s set on “Live At Jazz, TX.” Sotelo says of the hundreds of standards in the jazz repertoire, she chooses her favorites based on “how a song makes you feel and how it speaks to your soul.”

Sotelo continues, “After working through it, after listening to it over and over, [a song] eventually becomes your own.”

Pages