Last summer, seven area high school students took part in the inaugural Camp KPAC, learning radio and recording skills with TPR's James Baker, Nathan Cone, and Paul Flahive. Here's what Clark High School student Kelly Holguin said about her experience:
Alison Balsom's U.S. tour covers the east coast, west coast and luckily, Texas! Trumpet fans around the country have been heralding Balsom as she performs with the Scottish Ensemble.
In this interview, she shares insights about traveling with two trumpets and a two year old, as well as keeping things fresh musically night after night. Alison is also excited to be on stage this summer in a new play written for her!
During the Texas Lyceum Conference on Transportation Friday, Gov. Rick Perry announced his plan to fix funding issues with transportation costs.
"On every car or truck sold in the state of Texas, we take in sales tax. The amount we take in on those sales is increasing steadily. I propose we dedicate the future growth in sales tax collected on motor vehicles to transportation infrastructure," Perry said.
The governor said Texas should take advantage of the state’s relatively low debt to fix roads, like those in the Eagle Ford Shale and Burnet Shale areas of the state.
Domingo Martinez's "The Boy Kings of Texas" transports people into his Brownsville childhood, warts and all, in his memoir.
It's been called "an emotional roller coaster rendered in exquisite detail," by Publisher's Weekly and was a finalist for the National Book Award.
Martinez was in town for the San Antonio Texas Book Festival last weekend and stops by the studio to talk about his recent literary success and why living in Texas is not something he ever sees himself doing again.
The hearts of all who love and care for the Chicago Symphony Orchestra are weeping today with the announcement of the passing of trumpeter Adolph Herseth. For over a half century (1948-2004), he was the principal trumpet of the Chicago Symphony Orchestra. Along with tubist Arnold Jacobs, Herseth and his brass playing colleagues evolved into the most powerful and accomplished orchestral brass section in the world. This is no exaggeration!
I remember as yesterday my first substantial introduction to the art of Colin Davis. The cycle of Sibelius Symphonies he recorded with the Boston Symphony Orchestra was outstanding, enhanced further by the art work, drawn from the paintings of Edvard Munch. The music world reacted much as I had, declaring Sir Colin an authoritative interpreter of Sibelius. He came back to the cycle at least twice afterwards, making studio recordings with the London Symphony Orchestra and then a cycle of concert recordings with the LSO.