While the Tokyo String Quartet commissioned and premiered "An Exaltation of Larks," it is almost poetic that the Lark String Quartet has recorded the work by Jennifer Higdon. In fact, the larks have quite a history with new music and Jennifer Higdon.
The fifth poet to read at a Presidential Inauguration, following in the steps of Robert Frost (1961) and Maya Angelou (1993), Richard Blanco's poetry explores the meanings of identity, place and culture and his story is compelling, having been "made in Cuba, assembled in Spain and imported to the United States."
The back and forth on VIA's proposed modern streetcar continued Thursday night at a meeting to gather public input; the system is on track to launch in 2017, but many people are determined to derail the idea.
The proposed downtown system for San Antonio involves five miles of rail with one route traveling north to south through downtown, and the other east to west. Like most of the exact details involving the system, it's yet to be determined where the embedded rails and overhead powerlines would go.
Neighborhood electric vehicles (NEV's), haven't been allowed on San Antonio side streets since 2006, but they could be making a comeback.
Several serious accidents - often times involving young drivers - prompted a ban of such vehicles, sometimes called low speed vehicles, by the San Antonio City Council. That was seven years ago, but new state laws require them to be licensed and registered and an amendment to the Transportation Code allows the vehicles to travel on roads with a posted speed of 45 miles per hour or less.
Is CSCOPE an education resource designed to help struggling school districts? Or is it a vast anti-American conspiracy that uses Texas classrooms to convert children to Islam and communism?
CSCOPE is an online curriculum management resource developed by the Texas Education Service Center Curriculum Collaborative (TESCCC), a group made up of the 20 education service centers in the state. The group develops their curriculum framework through several sources.
Critics consider Ana Cervantes –daughter of a Nebraska (USA) mother and a Mexican father– “a physical, emotional performer, with extraordinary touch and mastery of tone and colour”; an artist of “commanding intensity,” “great interpretive qualities and enormous passion”.
Her special ability to function as interlocutor between cultures, her charismatic stage presence and imaginative programming which embraces both contemporary and traditional repertoires, have earned her the accolade “ambassadress for the music of Mexico”.