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Never Could You Imagine
By Nathan Cone
Full disclosure: I am now related by marriage to a person involved with the
making of “Finding
Neverland,” and the film’s sole Oscar winner at that. On
Oscar Night 2005, my wife and I hosted a small group of friends at our home.
Immediately after Jan A.P. Kaczmarek won
an Oscar for Best Original Score for “Finding Neverland,” I
told my wife Renata, “I’ll bet we get a call from your dad since the winner
is Polish.” Sure enough, not 30 seconds after Kaczmarek left the stage, the
phone rang. Renata answered, and soon after, her eyes widened. “That’s my
mom’s cousin!” she exclaimed. She never knew! All of us erupted in shocked
laughter. Although the two have not stayed in touch, Jan A.P. Kaczmarek is my
mother-in-law’s cousin. What a small world we live in!
With that out of the way, I will refrain from discussing the wonderful,
melodic, highly effective score written by the gifted and talented composer Mr.
Kaczmarek. There, the slate is clean.
The marketing tag line for “Finding Neverland” was “Where does
imagination come from?” Apparently for playwright J.M. Barrie, it came from
his friendship with the Davies family, and especially young Peter Davies, who in
the film is already too grown up for his own good. The film is based on fact,
but like many films inspired by a true story, it strays away from the truth at
times, fudging dates and some characters. But as director Marc Forster explains
on the commentary track that accompanies this DVD release of the film, it was
never the filmmakers’ intention to craft a true tale of how Barrie came to
write “Peter Pan.” Instead, “Finding Neverland” is about keeping sense
of childhood whimsy within you throughout life -- even into adulthood.
Screenwriter David Magee does an excellent job with J.M. Barrie’s
character, making him sympathetic to the audience even while he neglects his
marriage in favor of spending afternoons with the Davies boys. Johnny Depp pulls
off another great performance. He is one of a handful of actors working today
that loses himself so completely in a character that you tend to forget it’s
Depp onscreen. His scenes with the young Freddie Highmore, as Peter Davies, are
genuinely touching. Again, the DVD commentary track reveals more insights, as
director Forster and producer Richard Gladstein were frankly astonished at how
good an actor young Highmore became once the cameras started rolling.
Supporting performances by Julie Christie and Kate Winslet are well done, an
Dustin Hoffmann brings some wry humor to his role as the impresario of a theater
where Barrie’s plays have been largely flopping.
The DVD’s bonus features include the aforementioned commentary, and a short
“making of” featurette. Three deleted scenes are genuinely interesting. In
one, Barrie is asked by one of the Davies boys why he never had any children.
“I guess it’s because only grown-ups can have children,” he answers.
A clip of special effects from the film is really too short to amount to
much, and outtakes/bloopers from the film are pretty useless, but the commentary
track by Forster, Gladstein, and writer David Magee is informative, and even
seems to be recorded in real-time, not pasted together from interviews conducted
outside the screening room. Gladstein and Magee’s cell phones even ring during
the session!
Visually, the film’s transfer to the DVD format seems to suffer a bit from
when I saw it in the theater. Colors seem a bit more muted on home video. The
5.1 Surround Sound mix is, appropriately enough, not overpowering.
“Finding
Neverland,” nominated for Best Picture this past year, is a
sweet film that deftly blends fantasy and reality. Between Depp’s and Highmore’s
performance, I can easily recommend the movie. Plus, the music was pretty good.
And that’s my - ahem - unbiased opinion.
3/28/2005
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